A Fine Press creating and printing limited edition books by traditional letterpress.
Books in print
A Figure Specimen
A specimen of some 8300 figures (numerals and fractions) that the Press has matrices for. Sizes range from 5pt to 60pt, serials from F9 to F2558 (though not the complete range) and type series 1 to 696 (again, not the complete range). Set in 10pt Modern Extended. 22pp. 11½ x 6 ins. 30 copies. UK£15.
Text and image integrated to reflect five different aspects of the landscape of the South West of Western Australia. A series of collotypes, etchings, linocuts, leaf prints, metal and wood type, printed by Claire Bolton and Molly Coy on various papers, and published by mollyclaire editions. 156pp. Approx 10¼ x 11½ ins. 12 copies. This book won the City of Busselton Art Award 2016. See some of the pages.
A Sign Specimen
A specimen of all the Monotype sign and symbol matrices held at the Press, with a brief introduction to their use. Set in 10pt Modern Extended. 88pp. 11¾ x 5¾ ins. 40 copies. UK£20. Issued with Addenda and Corrigenda 4pp. and Addenda and Corrigenda II 2pp.
A set of two artists' books about corrugated tin structures in Australia, with linocuts by Katie Clemson and an original poem by Anne Bell. Set in 36pt Spectrum Italic. 22pp. 24 x 28 cm and 16pp. 14 x 28 cm. 35 copies. UK£600. See also Further details.
A Border Supplement
Shows the borders that we have acquired, or found at the back of drawers, since printing A Border Specimen. It is in the same format, showing one line specimens, and inch square patterns. Set in 12pt Bembo. 16pp. 11¾" x 8¾". 120 copies. UK£25.
A Petticoat Tale
Maddie's fifth birthday book, about a princess and her petticoats. Two hand coloured line drawings, text set in 10pt Gloucester Bold Italic. 16pp. 2¾" x 2¾". 60 copies. UK£15. See also Further details.
A series of single copies of miniature flower books, with watercolour illustrations and hand-written text. UK£60 for each book. See also Further details.
24-line Antique Bold
The latest wood type specimen, printed in two colours. Japanese binding with paper covers. 20ff. Approx 4" x 10". 40 copies. UK£20. See also Further details.
Settings of Six Point Type
A miniature 32 page specimen of 6pt borders and 6pt type settings. Text set in 6pt Old Style, Plantin, Baskerville, Imprint, Gill, Greek, Grotesque, Modern, Spartan, Times, Univers. 32pp. 2¾" x 2". 50 copies. UK£20.
34 samples of the 1950s Sanderson range and their current replacement, together with a brief history of decorated papers. Set in 11 on 12pt Ehrhardt. 32 sheets sewn into boards. 6¾ x 9 ins. 95 copies. UK£60.
A Tiny Ten
Our granddaughter's 3rd birthday book, as a sequel to A Little Alphabet and A Small Piece of Action. A single section counting book illustrated with printers' stock blocks and dingbats to a count of 10. 16pp. 3 x 2 ins. 120 copies. UK£5. (This book had a working title of A Small Count). See also Further details.
A Tale of Two Benches
About the connection between artist Robert Gibbings and woodworker Bill Pointer, with a wood engraving by Robert Gibbings of his own bench and by Simon Brett of Bill Pointer's bench. Set in 14pt Perpetua. 24pp. 9 x 6½ ins. 120 copies. UK£30.
Although long out of print, one copy is now available of the following book
Dear David, Dear Graham
Letters between Graham Greene and David Low. Illus. Set in Spectrum. 91pp. 9¾ x 6¼ ins 250 copies. UK£100
A small group solely for the exchange of material that has been printed letterpress. Members contribute items approximately three times a year, with numbers being kept small enough to make the task of printing not too onerous. Originally started by Claire, Alan Brignull at the Hedgehog Press now co-ordinates the distribution.
Workshops and Open Days
Although the Press has run a very successful five day Letterpress Printing workshop for some nine years, it does not currently have the facilities for this. However, workshops on table-top printing or early printing methods are occasionally offered at various other locations, so please e-mail Claire if interested. Also, it may become possible in the future to offer combined printing and casting workshops jointly with Richard Lawrence at his studios in Oxford, which is where the Press now houses its typecasting equipment. Occasional workshops are also run at the Abbey Press in New Norcia, Western Australia.
For many years, the Press was able to provide a place for an apprentice for a period of one to three months, once or twice a year. However, this is no longer possible, as we have moved to smaller premises and, sadly, have disposed of all our large presses.
Sunday afternoon open workshops on casting type from Monotype Composition and Super casters are held approximately once a month from 2pm to 4pm. Dates for 2018 were 24 June, 29 July, 28 October and 25 November. These informal sessions are for anyone (enthusiast or otherwise) wanting to see or try out Monotype keyboards or casters. (See a glimpse of the equipment.) Phone 01235 525227 or e-mail email@example.com for further details.
For some years the Press held an Open Day, when all its equipment and productions were on show, but as much of the equipment has now gone, only the Open Typecasting afternoons on one Sunday a month now continue. However, Hurst Street Studios occasionally has Open Days and the Press's Monotype equipment is in action on those days.
The Alembic Press can provide hands-on demonstrations of aspects of letterpress printing at various exhibitions, fairs, and colleges, etc. For example, we have provided
|The Press used to be housed in a 70ft x 20ft stone barn, until June 2010 (see a view of the printshop and some of the presses, as they used to be).|
|The larger printing machines were slowly passed on to better homes, but the Farley cylinder proof press, a Sigwalt Model 4 and two Adana 8x5, one HS3 and one 5x3 table-top presses are now housed in our new premises. These can be seen in the picture on the left. This new printroom in Abingdon still has a bit of fitting out to do, but all-the-same is now functional for small jobs.|
The Press has reduced its range of metal and wood type, but as can be seen on the right, still has 5 point up to 90 line, for hand setting, and 5 to 14 point for machine setting (using a Monotype keyboard and caster).
|The Press also has a small presence at Margaret River in Western Australia|
|The space is bigger than it looks, but in the picture on the left you can see the Adana 8x5 on the left, and the small table-top proof press on the right, beneath the Mouldtype poster. The picture on the right is the view beyond the shed, toward the Margaret River (the roos have moved out of shot). This picture will be replaced in due course by a better one, showing the entrance to the shed, and indeed some of the distant pasture shown here is already under development for a housing estate.|
We maintain a small list of letterpress suppliers and information available in the U.K. at www.letterpressalive.co.uk, and in Australia at www.australianletterpress.info. Suggestions for additions to these lists are always welcome, but note that they try to keep within the two countries. Note also that they are not comprehensive lists of letterpress printers, but rather a list of where letterpress can be seen, asked about, learned, helped with, or where ink, paper, rollers, etc., can be obtained.
The Press can provide advice on early printing techniques, and is continuing its research in this field, and Dr. Claire Bolton has taught at Summer Schools for the London Rare Book School, and the University of Otago, Dunedin, and given several lectures on aspects of fifteenth-century printing methods. Articles and books in print are:
Arising from a topic on the LETPRESS listserve group, we show some layouts of various styles of typecase. Blank case layouts are also shown, should you wish to insert your own lay. The pages are all separate, for ease of printing out, or downloading. If you are trying to identify a particular case, then Typecase Identification is an attempt to make this easy! Otherwise, an index to all the pages is available, as is a short introduction and a
glossary of (some of) the terms used. There is a brief note on variations in Job and Double Case, and Lower Case, and Upper Case styles. Some notes about the quantities of type possible in a Case and a Bill of type are also provided. Over 300 different typecases are shown to date, concentrating mostly on
normal (ie full) size cases for metal type, but including a few exotic cases, figure and spacing cases, etc, by way of example. (For a list of all cases actually illustrated in a particular Equipment Catalogue, see for example Hamilton 1907). Dates are given, as derived from the source documents (which are all listed in Sources), but for many of these sources there may be an earlier edition, or reference, that has not yet been consulted. Whilst the cases shown are based on illustrations, or actual cases seen, Specimen Books and Equipment Lists often list more cases than are illustrated, and these have had to be ignored, so again, some dates may be earlier.
All these pages are part of our publishing project creating an on-line book of typecase information. Rather than publish once the full work is complete, chapters and pages are added as soon as they are written, and as time permits. The first pages were created in 1997, and amendments and additons continue as new information comes to light, for example where discovery of an earlier source changes dates of featured case lays, etc. The overall alphabetic index, the index of case lays and case configurations, and the list of sources are kept up-to-date as information is added. In view of this work-in-progress, please let us know if anything is missing or wrong! A summary of some of the findings, by David Bolton, is published as ''Typecases: history and development'', Journal of the Printing Historical Society, new series, number 25 (2016), pp.25-49.
This list is only a very small selection of what is available, and for example Briar Press, Ton Cremer, and Dave Tribby all have a much fuller selection.