| & | [ ] | ae | oe | ' | j | e | thin | ( ) | ? | ! | ; | fl | ||
| b | c | d | i | s | f | g | ff | |||||||
| fi | ||||||||||||||
| ffi | l | m | n | h | o | y | p | , | w | en | em | |||
| ffl | ||||||||||||||
| z | v | u | t | space | a | r | q | : | quads | |||||
| x | . | - | ||||||||||||
This English lay is that of Savage: Dictionary of the Art of Printing (1841, reprinted Thoemmes 1998), as being the present (ie 1841) arrangement of the types. The long s has been discarded, so the f box is enlarged, and the long s ligature boxes become empty. Johnson: Typographia (1824) has a very similar New Lower lay, but with mids in place of thins, and thins and hairs in some of the empty boxes. Tomlinson: Cyclopaedia of Useful Arts (1853) is the same as Savage, but with the boxes next to fl ff fi containg a 3 piece brace. There is a very similar Bookwork Lower lay, given by Southward: Practical Printing (1882), with thins in the same box as Savage, but with -- & and hair as Johnson, and ... added between ; and fl. Note the position of q in all these lays, and that the letter k is still stored in the Upper case.
The companion upper is the Savage New lay and the empty case configuration is the English Lower.
| Other empty cases ie with the boxes left blank | Other type layouts ie with characters assigned to boxes | ||
| Full Index of layouts | Glossary of terms used | Sources of the layouts | Introduction |
| Quantities in a fount of type | Quantities in a case of type | ||
| Notes about Job and Double Cases | Notes about Upper cases | Notes about Lower cases | Alembic home page |