| Series | Face | Comments | U.A. |
|---|---|---|---|
| 1 | Modern (No.1) | Roman and Italic | 1:(6-12pt) 1a:(14pt) |
| 1901, based on a Miller & Richards face | |||
| 2 | Old Style (No.2) | Roman and Italic | 1:(6-12pt) 1a:(14pt) |
| 1901, based on a Miller & Richards face | |||
| 3 | Antique Old Style (No.3) (aka Old Style Antique) | Roman and Italic 1902 | 2 |
| 4 | Grotesque Condensed (aka Gothic) | Roman 1902 W/d in 1967 | 1b |
| 5 | Albion (No.1) | Roman | 2 |
| 6 | Modern (No.4) (aka Ionic) | Roman and Italic W/d in 1967 | 1 |
| 7 | Modern Extended (No.1) | Roman and Italic | 1 |
| 1902, slightly expanded version of Modern 1 | |||
| 8 | Old Style Condensed | Roman and Italic W/d in 1967 | 1 |
| 9 | Latin Antique (aka Antique Latin) | Roman | 2 |
| 10 | Ronaldson (aka Ronaldson Old Style) | Roman and Italic | 1 |
| 11 | Grotesque Bold Condensed (aka Grotesque) | Roman 1908 W/d in 1967 | 2 |
| 11 | Grotesque Bold Condensed | Cyrillic. W/d in 1967 | |
| 12 | Clarendon | Roman 1903 | 2 |
| 13 | Modern Condensed (No.1) | Roman and Italic | 1 |
| 14 | Modern Condensed (No.2) | Roman and Italic | 1 |
| 15 | Grotesque Bold Condensed (No.2) (aka Sans-Serif or Sanserif) | Roman and Italic 1902 | 2:(roman) 3:(italic) |
| 16 | Modern Wide (No.1) | Roman and Italic | 1 |
| 17 | Cushing | Roman and Italic W/d in 1967 | 1 |
| 17 | Cushing | Cyrillic 1907 W/d in 1967 | |
| 18 | Modern Wide (No.2) | Roman and Italic | 1 |
| 19 | Elzevir | Roman and Italic | 1 |
| 20 | Old Face (Special) | Roman and Italic 1903 W/d in 1967 | 6 |
| 21 | De Vinne Condensed (aka De Vinne) | Roman W/d in 1967 | 2 |
| 22 | Schoeffer | Roman. W/d in 1964 | 2 |
| 23 | Iroquois Condensed | Roman. W/d in 1964 | 2 |
| 24 | Gaelic | Gaelic 1903 | 23:(6-12pt) 108:(14-18pt) 109:(24pt) |
| 25 | Modern Wide (No.3) | Roman and Italic | 1 |
| 26 | Modern Wide (No.4) | Roman and Italic | 1 |
| 27 | Neo Didot | Roman and Italic 1904 | 1 |
| 27 | Neo Didot | Cyrillic | |
| 28 | Wittenberger Fraktur | Fraktur 1904 | |
| 29 | Wittenberger Fraktur Halbfette | Fraktur | |
| 30 | Modern Wide (No.5) | Roman and Italic | 1 |
| 31 | Armin Fraktur | Fraktur | |
| 32 | Armin Fraktur Fette | Fraktur | |
| 33 | Grotesque Condensed (No.2) (aka Grotesque) | Roman | 2:(6-13½pt) 395:(22pt) |
| 33 | Grotesque Condensed | Cyrillic | |
| 34 | Armin Fraktur Halbfette | Fraktur. W/d in 1967 | |
| 35 | Neue Schwabacher | Fraktur | |
| 36 | Neue Schwabacher Halbfette | Fraktur | |
| 37 | Bamberger Fraktur | Fraktur. W/d in 1967 | |
| 38 | Fraktur | Fraktur. W/d in 1964 | |
| 39 | Modern Condensed (No.3) | Roman and Italic | 1 |
| 39 | Modern Condensed | Cyrillic | |
| 40 | Kasseler Fraktur | Fraktur | |
| 41 | Kasseler Fraktur Halbfette | Fraktur | |
| 42 | Albion (No.2) (aka Albion Half Fat) | Roman | 2 |
| 42 | Albion | Cyrillic | |
| 43 | Scotch Roman (aka Old Face) | Roman and Italic W/d in 1967 | 1 |
| 44 | French Round Face | Roman and Italic | 1 |
| 44 | French Round Face | Cyrillic | |
| 45 | Old Face Standard | Roman and Italic 1906-7. W/d in 1967 | 1 |
| 46 | Scotch Roman (No.1) (aka Old Face) | Roman and Italic 1910 | 1 |
| Based on Richard Austin's face for Miller & Richards c.1809 | |||
| 47 | Regensburger Fraktur | Fraktur. W/d in 1967 | |
| 48 | Bamberger Fraktur Halbfette | Fraktur. W/d in 1964 | |
| 49 | Bamberger Fraktur Fette | Fraktur. W/d in 1967 | |
| 50 | Old Style Condensed | Roman and Italic W/d in 1967 | 1 |
| 51 | Grotesque (No.2) | Roman 1910 | 2:(6-12pt) 124:(14-18pt) 125:(24pt) |
| 51 | Grotesque (No.2) | Cyrillic | |
| 52 | Schurmann Antiqua Halbfette (aka Modern Mediaeval (Half-Fat)) | Roman W/d in 1967 | 5 |
| 53 | Old Style Bold (No.1) (aka Bold Face) | Roman and Italic 1911 | 3:(roman 5½-12pt) 76:(italic 6-12pt) 100:(roman 14-18pt) 101:(roman 24pt) |
| 54 | Modern Bold Italic (aka Italic Display) | Italic | 3 |
| 55 | Gloucester Bold Italic (No.2) (aka Old Style Italic Display) | Italic W/d in 1967 | 3 |
| 56 | Kölner Fraktur | Fraktur. W/d in 1972 | |
| 57 | Kölner Fraktur Halbfette | Fraktur. W/d in 1967 | |
| 58 | Kölner Fraktur Fette | Fraktur. W/d in 1972 | |
| 59 | Veronese | Roman and Italic 1911 W/d in 1967 | 4:(11-12pt) 106:(roman 14-18pt) 128:(italic 14-18pt) 107:(roman 24pt) 129:(italic 24pt) |
| 60 | Latin Antique (No.2) (aka Antique Latin) | Roman | 2 |
| 61 | Solis Fraktur | Fraktur. W/d in 1967 | |
| 62 | Solis Fraktur Fette | Fraktur. W/d in 1964 | |
| 63 | Albion (No.3) | Roman | 2 |
| 63 | Albion | Cyrillic | |
| 64 | Moderne Fraktur | Fraktur | |
| 65 | Neo Didot (No.2) | Roman and Italic | 1 |
| 66 | Moderne Fraktur Fette | Fraktur | |
| 67 | Old Style (aka Mediaeval Old Style) | Roman and Italic W/d in 1967 | 1 |
| 68 | French Old Style (No.1) | Roman and Italic | 1 |
| 68 | French Old Style | Cyrillic | |
| 69 | French Old Style Bold (aka French Old Style (Half-Fat)) | Roman | 2 |
| 69 | French Old Style Bold | Cyrillic | |
| 70 | Albion (No.4) | Roman | 2 |
| 70 | Albion | Cyrillic | |
| 71 | Didot | Roman and Italic | 1 |
| 72 | Egyptian Extended | Roman | 3 |
| 73 | Grotesque Bold (No.3) (aka Gothic Extended) | Roman | 3 |
| 74 | Albion Extended (aka Antique Extended) | Roman | 3 |
| 75 | Modern Wide (No.6) | Roman and Italic W/d in 1967 | 1 |
| 75 | Modern Wide | Cyrillic. W/d in 1967 | |
| 76 | French Face Extended | Roman and Italic W/d in 1967 | 1 |
| 77 | Modern Extended (No.2) | Roman and Italic W/d in 1967 | 1 |
| 77 | Modern Extended | Cyrillic. W/d in 1967 | |
| 78 | Latin Antique (No.3) (aka Antique Latin) | Roman | 2 |
| 79 | Modern Condensed (No.4) | Roman and Italic W/d in 1965 | 1 |
| 80 | Modern (No.2) | Roman and Italic W/d in 1967 | 1 |
| 81 | Grotesque Bold Condensed (aka Sans-Serif or Sanserif) | Roman | 2 |
| 82 | Typewriter (No.1) | Roman | 28 |
| 82 | Typewriter (No.1) | Roman Underlined | 28 |
| 83 | Wurzberger Fraktur | Fraktur. W/d in 1972 | |
| 84 | Latin Antique (aka Antique Latin) | Roman W/d in 1967. | 2 |
| 85 | Gaelic Display | Gaelic | 24:(8-12pt) 110:(14-18pt) 111:(24pt) |
| 86 | Moderne Schwabacher | Fraktur. W/d in 1972 | |
| 87 | Moderne Fraktur Halbfette | Fraktur. W/d in 1967 | |
| 88 | Modern Mediaeval (aka Mediaeval Modern) | Roman and Italic W/d in 1964 | 4 |
| 89 | Neudeutsche Fraktur (aka Fraktur Antiqua) | Roman W/d in 1967 | 1 |
| 90 | Greek: Upright (aka Upright Greek) | Greek. 1910 | 26 |
| 91 | Greek: Inclined (aka Inclined Greek) | Greek | 26 |
| 92 | Greek: Bold Upright (aka Greek Upright Display) | Greek | 27 |
| 93 | Moderne Schwabacher Halfbette | Fraktur. W/d in 1972 | |
| 94 | Große Moderne Fraktur | Fraktur. W/d in 1967 | |
| 95 | Modern (No.5) | Roman and Italic W/d in 1967 | 1 |
| 96 | Gothic | Russian. W/d in 1965 | |
| 97 | Grotesque Bold (No.2) (aka Wide Gothic) | Roman W/d in 1967 | 2 |
| 97 | Grotesque Bold | Cyrillic. W/d in 1967 | |
| 98 | Alte 'Monotype' Fraktur | Fraktur. W/d in 1972 | |
| 99 | Gloucester Old Style (aka Gloucester) | Roman and Italic. 1911, based on Bertram Goodhue's Cheltenham | 4:(6-13½pt) 116:(18pt) 117:(24pt) |
| 100 | Typewriter (No.2) | Roman | 28 |
| 100 | Typewriter (No.2) | Roman Underlined | 28 |
| 101 | Imprint (aka Imprint Old Face) | Roman and Italic. 1912, by Meynell/Mason/Johnston, based on Caslon | 4:(6-13½pt) 106:(16pt & roman 18pt) 128:(italic 18pt) 107:(roman 24pt) 129:(italic 24pt) |
| 102 | Alte Schwabacher | Fraktur. W/d in 1972 | |
| 103 | Gloucester Bold | Roman and Italic | 5:(6-14pt) 103:(18pt) 119:(24pt) |
| 104 | Old Style | Roman and Italic W/d in 1964 | 1 |
| 105 | Typewriter (No.3) | Roman | 28 |
| 105 | Typewriter (No.3) | Roman Underlined | 28 |
| 106 | Porson (aka Greek: Porson) | Greek | 26 |
| 107 | Egyptian (No.1) | Roman | 2 |
| 108 | Italian Old Style | Roman and Italic 1919, release delayed by war | 4 |
| 109 | French Old Style | Roman and Italic W/d in 1967 | 1 |
| 110 | Plantin | Roman and Italic. 1913, based on Granjon's type for Plantin | 4:(5½-12pt) 4a:(13½pt) 363:(14pt) 106:(roman 18pt) 128:(italic 18pt) 107:(roman 24pt) 129:(italic 24pt) |
| 111 | French Modern | Roman and Italic W/d in 1967 | 1 |
| 112 | Egyptian Condensed | Roman. W/d in 1967 | 2 |
| 113 | Plantin Light (aka Plantin Light Face or Light Face Plantin | Roman and Italic | 4:(6-12pt) 106:(roman 18pt) 128:(italic 18pt) 107:(roman 24pt) 129:(italic 24pt) |
| 113 | Plantin Light | Cyrillic | |
| 114 | Trojan | Roman. W/d in 1967 | 81 |
| 115 | Newspaper Smalls (aka Newspaper Small Adverts) | Roman W/d before 1966 | 30 |
| 116 | Breitkopf Fraktur | Fraktur. W/d in 1972 | |
| 117 | Gaelic Sans-Serif (aka Gaelic or Gaelic Display) | Gaelic | 25 |
| 118 | Mainzer Fraktur | Fraktur. W/d in 1972 | |
| 119 | Blado | Italic. 1923, based on Arrighi 1526 | 53:(10-13pt) 139:(roman 16pt) 142:(italic 16pt) |
| 120 | Bodoni Ultra Bold (aka Ultra Bodoni) | Roman and Italic | |
| 120 | Bodoni Ultra Bold | Cyrillic | |
| 121 | Gaelic: Colm Cille (aka Colum Cille) | Gaelic | 407:(10pt) 147:(14pt) |
| 122 | Old Style (Prumyslava) | Roman | 453 |
| 123 | Worcester Old Face | Roman and Italic W/d in 1965 | 4 |
| 124 | Antique Old Style (No.1) (aka Old Style Antique) | Roman and Italic W/d in 1967 | 1 |
| 125 | Mediaeval (l.c. and three caps only) | W/d in 1965 | |
| 126 | Grotesque Light (No.1) (aka Grotesque) | Roman and Italic | 420:(roman 5-5½pt) 431:(italic 5-5½pt) 64:(roman 6½-13pt) 396:(italic 6½-13pt) |
| 127 | Typewriter (No.4) | Roman | 28 |
| 128 | Caslon (aka Caslon Old Face) | Roman and Italic. 1915, based on Caslon 1734 | 7:(8pt) 8:(9pt) 9:(10pt) 10:(11pt) 11:(12pt) 12:(small 14pt) 384:(large 14pt) 104:(18pt) 160:(20-small 24pt) 105:(large 24pt) |
| 129 | Egyptian Bold (No.1) (aka Egyptian) | Roman | 3 |
| 130 | Egyptian | Roman W/d in 1967 | 3 |
| 131 | De Vinne | Roman. W/d in 1967 | 400 |
| 132 | Mainzer Fraktur Halbfette | Fraktur | |
| 133 | Chu Yin | W/d in 1967 | |
| 134 | Mediaeval | Roman. W/d in 1965 | 4 |
| 135 | Bodoni (No.3) | Roman and Italic. 1921, based on Bodoni 1740-1813 | 1:(6-12pt) 398:(14pt) 77:(roman large 14-18pt) 161:(italic large 14-18pt) 78:(roman 24pt) 425:(italic 24pt) |
| 136 | Mediaeval | Roman. W/d in 1965 | 4 |
| 137 | Scotch Roman (No.2) (aka Old Face) | Roman and Italic. 1920 | 13:(8pt) 14:(9pt) 15:(10pt) 16:(11pt) 17:(12pt) 144:(roman 14-24pt) 151:(italic 14-18pt) |
| 138 | Bold Face No.3 | Roman. W/d in 1965 | 3 |
| 139 | Spartan Light (aka Plate Gothic) | Roman | 18 |
| 140 | Spartan (aka Gothic Plate or Plate Gothic) | Roman | 18:(6-12pt) 157:(4&5 24pt) 155:(2&3 24pt) |
| 141 | Spartan Bold (aka Gothic Plate or Plate Gothic) | Roman | 18 |
| 142 | Spartan Light Condensed (aka Plate Gothic) | Roman | 146:(5pt) 18:(6-12pt) |
| 143 | Spartan Condensed (aka Gothic Plate or Plate Gothic) | Roman | 18 |
| 144 | Spartan Italic (aka Plate Gothic Italic) | Italic | 18 |
| 145 | Spartan Wide (aka Plate Gothic) | Roman | 18 |
| 146 | Engravers' Titling (aka Engraver's Title) | Roman | 18 |
| 147 | Engravers' Bold Titling (aka Engravers' Titling or Engraver's Title or Engravers' Titling Bold) | Roman | 18 |
| 148 | French Old Style | Roman and Italic W/d in 1967 | 1 |
| 149 | Italian Old Style Bold (aka Italian Old Style Display) | Roman | 5:(6-13pt) 131:(14-18pt) 132:(24pt) |
| 150 | Grotesque Bold Extended (No.1) (aka Gothic) | Roman and Italic | 22:(roman 6pt) 309:(italic 6pt) 40:(roman 8-14pt) 310:(italic 7-12pt) 148:(roman 18pt) 149:(roman 24pt) |
| 151 | Old Style (No.4) | Roman and Italic | 20:(6-11pt) 20a:(12pt) 52:(small 14pt) 133:(roman 18-24pt) 358:(italic 18pt) |
| 152 | Gloucester Wide (aka Gloucester Old Style Wide) | Roman and Italic W/d in 1967 | 36:(6-12pt) 134:(roman 18pt) 135:(roman 24pt) |
| 153 | Ionic (No.4) (aka Antique Extended) | Roman W/d in 1967 | 1 |
| 154 | Chiswell Old Face (aka Old Face) | Roman and Italic | 102:(roman 14-18pt) 103:(roman 24pt) |
| 155 | Devanagari | Devenagari | |
| 156 | Garamond | Roman and Italic. 1922. Roman based on Jannon 1620, Italic on Granjon 16c. | 37:(6pt-12D) 99(14D) 114:(roman 14-24pt) 115:(italic 14-24pt) |
| 157 | Clearface Bold | Roman and Italic | 2:(roman 6-12pt) 120:(roman 14-18pt) 123:(roman 24pt) |
| 158 | Gloucester Old Style (aka Gloucester Old Style Condensed or Gloucester) | Roman and Italic W/d in 1967 | 4 |
| 159 | Old Style Bold (No.2) (aka Old Face Heavy) | Roman | 32:(8-12pt) 112:(14-18pt) 113:(24pt) |
| 160 | Gloucester Bold Italic (No.1) | Italic | 3 |
| 161 | Antique Old Style (No.2) (aka Old Style Antique) | Roman and Italic | 29:(roman 6-11pt) 41:(roman 12pt) 126:(roman 14-18pt) 127:(roman 24pt) 54:(italic 6-12pt) |
| 162 | Egyptian | Roman W/d in 1967 | 3 |
| 163 | Newspaper Smalls | W/d in 1967 | |
| 164 | Latin Wide (aka Wide Latin) | Roman W/d in 1967 | 19 |
| 165 | Cochin | Roman and Italic. 1927, based on Peignot 1812, based on Cochin 18c. | 67:(6D-13pt) 174:(roman 14pt) 173:(italic 14pt) |
| 166 | Grotesque Bold Condensed Titling (aka Grotesque Bold Condensed No.4 or Gothic Narrow or Narrow Gothic) | Roman | 403:(12pt) 121:(14pt) |
| 166 | Grotesque Bold Condensed Titling | Cyrillic | |
| 167 | De Vinne Italic (aka Bold Face or Bold Italic) | Italic W/d in 1967 | 3 |
| 168 | Grotesque Bold Extended (No.2) (aka Gothic) | Roman W/d in 1967 | 122 |
| 169 | Baskerville | Roman and Italic. 1923, based on Baskerville 1757 | 43:(6-14pt) 136:(large 14-24pt) also 141:(italic 14-18pt) 150:(italic 24pt) |
| 169 | Baskerville | Cyrillic | |
| 170 | Poliphilus | Roman. 1923, based on Griffo's 1496 type for Aldus | 53:(10-13pt) 139:(roman 16pt) 142:(italic 16pt) |
| 171 | Egyptian Bold (aka Eqyptian) | Roman W/d in 1967 | 39 |
| 172 | Gloucester Bold | Roman. W/d in 1967 | 5 |
| 173 | Egyptian (No.4) | Roman | 137:(14-18pt) 138:(24pt) |
| 174 | Garamond Italic (No.2) | Italic. The Roman was w/d before 1966 | 42:(6-12pt) 140:(14-24pt) |
| 175 | Rockwell Shadow (aka Rockwell Shadow Titling) | Roman | |
| 176 | Old Style Bold Outline (aka Outline or Bold Face Outline) | Roman | 100 |
| 177 | Newspaper Small Ads (aka Gothic or Grotesque Newspaper Smalls) | Roman W/d in 1965 | |
| 178 | Barbou | Roman and Italic. 1926, based on Fournier 1742 | 447 |
| 179 | Modern Titling (aka Titling or Titling Modern No.1) | Roman and Italic The Italic was w/d before 1966 | 47:(roman 8-11pt) 48:(italic 8pt) 46:(roman 12pt) |
| 180 | Victoria Bold Condensed Titling (aka Titling or Titling Condensed or Titling: Victoria Bold Condensed) | Roman | 49 |
| 181 | Victoria Condensed Titling (aka Titling) | Roman | 50 |
| 182 | Victoria Titling (aka Titling or Titling: Victoria) | Roman | |
| 183 | Modern (aka Titling) | Roman W/d in 1967 | |
| 184 | Ionic (No.3) (aka Egyptian) | Roman W/d in 1967 | 51 |
| 185 | Fournier (aka Fournier Old Face) | Roman and Italic 1925 | 59:(8-13½pt) 446:(14pt) |
| Based on Fournier's St Augustin Ordinaire 1742 | |||
| 186 | Schmale Nurnburger Gotisch | W/d in 1965 | |
| 187 | Schmalfette Frankfurter Fraktur | Fraktur. W/d in 1967 | |
| 188 | Horley Old Style (superceded by series 199) | W/d in 1965 | |
| 189 | Modern (No.3) | Roman and Italic | 1 |
| 190 | Imprint Shadow | Roman and Italic | 4:(roman) 68:(italic) |
| 191 | Minion | ||
| 192 | New Hellenic | Greek | 73 |
| 193 | Newspaper Smalls | Roman. W/d in 1965 | |
| 194 | Plantin Bold (aka Plantin Heavy) | Roman and Italic | 5:(roman 6-13½pt) 3:(italic 6-12pt) 158:(roman 14pt) 381:(italic 14pt) |
| 194 | Plantin Bold | Cyrillic | |
| 195 | Bodoni Bold | Roman | 3 |
| 196 | Surrey Old Style | Roman. W/d in 1967 | |
| 197 | Canterbury | Roman. W/d in 1967 | 57 |
| 198 | Gloucester Bold Condensed | Roman | 60 |
| 199 | Horley Old Style | Roman and Italic | 56:(6-13pt) 362:(14pt) 367:(18pt) 368:(24pt) |
| 200 | Perpetua Bold Titling | Roman | 145 |
| 201 | Garamond Bold (aka Garamond Heavy) | Roman and Italic | 61:(roman 6-12pt) 315:(italic 6-12pt) 342:(roman 14pt) 154:(roman 18-24pt) |
| 201 | Garamond Bold | Cyrillic | |
| 203 | Van Dijck | Roman and Italic. 1935, by Jan van Krimpen, from 17c types | 354:(7-14pt) 423:(14-18pt) |
| 204 | Grotesque Light Condensed (aka Light Face Gothic or Gothic Light Face) | Roman W/d in 1967 | 58 |
| 205 | Unger Fraktur | Fraktur. W/d in 1972 | |
| 206 | Pastonchi | Roman and Italic. 1927 | 69:(9-13pt) 175:(roman 14pt) |
| 207 | Antique Old Style (aka Antique (No.1)) | Roman and Italic | 70 |
| 208 | Gwendolin | W/d in 1967 | |
| 209 | Caslon Titling (aka Titling) | Roman | |
| 210 | Musical Signs | ||
| 211 | Century (No.2) (aka Modern) | Roman | 1 |
| 212 | Grotesque | Roman. W/d in 1964 | 62 |
| 213 | Bernard Condensed (aka Condensed Bold) | Roman | 337 |
| 214 | Goudy Extra Bold (aka Goudy Heavy or Goudy Heavy Face) | Roman and Italic | 95 |
| 215 | Grotesque (No.1) (aka Grotesque Half Fat) | Roman and Italic. 1926, based on a German origin | 421:(roman 5pt) 429:(italic 5pt) 65:(roman 6½-13pt) 401:(italic 6½-13pt) |
| 216 | Grotesque Bold (No.1) (aka Grotesque or Grotesque ¾ Fat) | Roman and Italic | 422:(roman 5pt) 66:(roman 6½-13pt) 440:(italic 8-13pt) |
| 217 | Peninim Pointed (aka Hebrew Peninim Pointed) | Hebrew | |
| 218 | Sonzino (Pointed) (aka Hebrew Sonzino Pointed) | Hebrew | |
| 219 | Ashurith (Unpointed) (aka Hebrew Ashurith) | Hebrew | |
| 220 | Peninim (Unpointed) (aka Hebrew Peninim) | Hebrew | |
| 221 | Levênim (Unpointed) (aka Hebrew Levenim) | Hebrew | |
| 222 | Hebrew (aka Unpointed Hebrew) | Hebrew | |
| 223 | Devonshire Bold (aka Heavy Antique) | Roman W/d in 1967 | |
| 224 | Devonshire Bold Condensed (aka Condensed Heavy Antique) | Roman W/d in 1967 | |
| 225 | Colonna | Roman | |
| 226 | Treyford | (for O.U.P.) | |
| 227 | Century Schoolbook (aka Century (No.1)) | Roman and Italic. 1934, re-cut from Century magazine 1894 | 369:(10-14pt) 370:(18-24pt) |
| 228 | Rabbinic (aka Hebrew Rabbinic) | Hebrew | |
| 229 | Newspaper Small Ads (aka News Advertisements) | W/d in 1965 | |
| 230 | Poliphilus Titling | Roman | |
| 231 | Gill Sans Titling (aka Gill Sans-Serif Titling) | Roman | 84 |
| 232 | Old Style Antique Italic | Italic. W/d in 1965 | 373 |
| 233 | Gill Sans Cameo (aka Gill Sans-Serif Cameo) | Roman | |
| 233 | Gill Sans Cameo | Cyrillic | |
| 234 | Shakespeare Titling (aka Titling: Shakespeare) | Roman W/d in 1967 | |
| 235 | Typewriter (No.5) (aka Elite Typewriter) | Roman | 28 |
| 236 | Plantin Bold Condensed (aka Plantin Heavy Condensed) | Roman | 72:(6-13pt) 366:(14pt) |
| 237 | Modern French | (for Imprimerie Nationale) | |
| 238 | Ashley Crawford | W/d in 1967 | |
| 239 | Perpetua | Roman and Italic. 1928, by Eric Gill | 96 |
| 240 | Old Face | Roman and Italic W/d in 1964 | 385 |
| 241 | Egyptian | (for Imprimerie Nationale) | |
| 242 | Gloucester Condensed (aka Gloucester Old Style Condensed) | Roman. W/d in 1967 | 74 |
| 243 | Gloucester Bold Extended | Roman | 75 |
| 244 | Gothic Caps | Roman. W/d in 1965 | 79 |
| 245 | Old Style Bold Italic (aka Bold Face Italic No.2) | Italic W/d in 1967 | 76 |
| 246 | Othello | Roman | 85 |
| 247 | Modern French | (for Imprimerie Nationale) W/d in 1965 | |
| 248 | Othello Shadow | Roman. W/d in 1967 | |
| 249 | Goudy Modern | Roman and Italic. 1929, by Frederic Goudy | 87 |
| 250 | Modern Condensed (aka Modern (No.6)) | Roman | 92 |
| 251 | Egyptian Condensed (No.3) (aka Egyptian) | Roman | 63 |
| 252 | Centaur (The Italic aka Arrighi Italic) | Roman and Italic | 90:(6-12pt) 322:(14pt) 165:(roman large 14-24pt) 166:(italic large 14-24pt) |
| 1929. Roman based on Wiebking for Bruce Rogers 1914, based on Jenson's Venetian 1470. Italic by Frederic Warde based on Arrighi's Chancery 1524 | |||
| 253 | Old Style Bold (aka Bold Face No.2 or Bold Face Special Line) | Roman W/d in 1967 | 3 |
| 254 | Bodoni (No.4) | Roman 1925 W/d in 1967 | |
| 255 | Lutetia | Roman and Italic. 1930 by Jan van Krimpen. As cut by Enschedé 1925 | 334:(9pt) 306:(10pt) 307:(13pt) 308:(14D) 170:(roman 16D) 171:(italic 16D) 172:(roman 20D) |
| 256 | Dürer Fraktur | Fraktur | |
| 257 | Modern Wide (No.7) (aka Modern) | Roman and Italic W/d in 1967 | 1 |
| 258 | Perpetua Titling | Roman | 97 |
| 259 | Antigone | Greek | 432 |
| 260 | Bodoni Bold (No.2) (aka Bodoni Heavy) | Roman and Italic | 2:(roman 6-13pt) 143:(italic 6-13pt) 417:(roman 14pt) 416:(italic 14pt) |
| 260 | Bodoni Bold | Cyrillic | |
| 261 | Horley Old Style Bold (aka Horley Old Face Heavy) | Roman | 80 |
| 262 | Gill Sans (aka Gill Sans-serif) | Roman and Italic. 1929, by Eric Gill | 82:(roman 5-14pt) 311:(italic 5-14pt) 383:(roman 18pt) |
| 262 | Gill Sans | Cyrillic | |
| 263 | Modern Cancellation Fount | Roman | 1 |
| 264 | Albion | W/d in 1965 | |
| 265 | Ionic (No.1) | Roman and Italic W/d in 1967 | 321 |
| 266 | Gloucester Bold Condensed | W/d in 1965 | |
| 267 | Sans-serif | W/d in 1965 | |
| 268 | Goudy Catalogue | Roman and Italic | 83 |
| 269 | Goudy Bold (No.1) | Roman and Italic | 88 |
| 270 | Bembo (aka Aldine Bembo) | Roman and Italic. 1929. Roman based on Griffo 1495 for Aldus, Italic on Tagliente 1529 | 91:(6-14pt) 163:(roman 16pt) 164:(italic 16pt) 169:(roman 18-24pt) 168:(italic 24pt) |
| 271 | Cloister Bold | Roman and Italic W/d in 1967 | 86 |
| 272 | Cloister Old Style | Roman and Italic W/d in 1967 | 89 |
| 273 | Wigan Condensed | Roman. W/d in 1965 | |
| 274 | Grotesque Light Condensed (No.2) (aka Grotesque) | Roman | 427:(5D) 94:(6D-13D) |
| 275 | Gill Sans Bold (aka Gill Bold Sans-Serif) | Roman and Italic | 93:(roman 5-14pt) 302:(italic 5½-14pt) 402:(roman 18pt) |
| 275 | Gill Sans Bold | Cyrillic | 302 |
| 276 | Solus | Roman 1929. W/d in 1967 | 320 |
| 277 | Unger Fraktur Halbfette | Fraktur. W/d in 1972 | |
| 278 | Braggadocio | Roman | |
| 279 | Ashley Crawford Plain | Roman. W/d in 1967 | |
| 280 | Tamil | Tamil | |
| 281 | Plantin Old Style (No.2) | Roman. W/d in 1967 | 305 |
| 282 | Egyptian Bold Condensed (aka Heavy Egyptian) | Roman | 313 |
| 283 | Perpetua (aka Greek Perpetua) | Greek. W/d in 1967 | |
| 284 | Littleworth | Roman. W/d in 1967 | 371 |
| 285 | Fournier Shortened Capitals (aka Fournier Old Face (Shortened Caps)) | Roman and Italic | 59 |
| 286 | Deutsch Romisch Bold | Roman. W/d in 1967 | 304 |
| 287 | Plantin Bold (aka Plantin Heavy No.2) | Roman W/d in 1968 | 5 |
| 288 | Bodoni (No.1) | Roman and Italic W/d in 1966 | 364 |
| 289 | Plantin Condensed | Roman and Italic W/d in 1967 | 4 |
| 290 | Gill Sans Shadow Line (aka Gill Sans-serif Shadowline) | Roman | |
| 291 | Goudy Old Style | Roman and Italic | 312 |
| 1930, by Frederic Goudy (copy of an ATF face) | |||
| 292 | Goudy Text | fraktur | 339 |
| 293 | Lombardic Capitals | Roman | 343 |
| 294 | Bembo Condensed Italic (aka Narrow Bembo Italic) | Italic | 360:(10-13pt) 361:(16pt) |
| a294 | Goudy Bold (Lanston Monotype) | Roman. Loan Library omitted after 1958 | |
| 295 | Centaur Titling | Roman | |
| a295 | Cloister Bold (Lanston Monotype) | Loan Library omitted after 1958 | |
| 296 | Erfurter Fraktur | Fraktur. W/d in 1964 | |
| 297 | Acier | (not issued). W/d in 1965 | |
| a297 | Modernistic (Lanston Monotype) | Roman. Loan Library omitted after 1958 | |
| 298 | Deutsch Romisch | Roman and Italic W/d in 1970 | 303 |
| 299 | Gill Sans Cameo Ruled (aka Gill Sans-Serif Cameo Ruled) | Roman | |
| 300 | Ulmer Fraktur Fette | Fraktur. W/d in 1964 | |
| 301 | Typewriter (No.6) | (Elite) Roman | 28 |
| 302 | Typewriter (No.7) | (Pica) Roman W/d in 1967 | 28 |
| 303 | Gloucester Bold | Roman. W/d in 1965 | |
| 304 | Gill Sans Shadow Titling (aka Gill Sans-Serif Shadow) | Roman | |
| 305 | Kino | Roman | |
| 306 | Crossword Puzzle Solution | ||
| a306 | Broadway (Lanston Monotype) | Roman. Loan Library omitted after 1958 | |
| 307 | Antique | Roman and Italic W/d in 1965 | 70 |
| a307 | Broadway Engraved (Lanston Monotype) | Loan Library omitted after 1958 | |
| 308 | Helen Fraktur | Fraktur. W/d in 1964 | |
| 309 | Crossword Squares | Cancelled | |
| Issued instead as Crossword Puzzle (Specials), S2611-2641, S2643, S2727-2746, S3976-3986. | |||
| 310 | Imprint Bold (aka Imprint Heavy (No.1)) | Roman and Italic | 98 |
| 311 | Kaatskill | Roman. W/d in 1967 | |
| 312 | Baskerville Bold (aka Baskerville Heavy) | Roman and Italic | 332 |
| 313 | Baskerville Semi-bold (aka Baskerville Bold) | Roman and Italic | 332 |
| a313 | Gallia (Lanston Monotype) | Roman. Loan Library omitted after 1958 | |
| 314 | Fridericus Antiqua | Roman and Italic | 301 |
| 315 | Hutten Fraktur | Fraktur. W/d in 1964 | |
| 316 | Perpetua (No.3) | Roman. W/d in 1967 | 96 |
| 317 | Gill Sans Bold Titling | Roman | |
| 318 | Grotesque Condensed (No.3) (aka Sans-serif Condensed) | Roman | 388:(5D-6pt) 300:(6D-13pt) |
| 319 | Acier Grey and White | Not issued. W/d in 1965 | |
| 320 | Emerson | Roman and Italic 1936 by Joseph Blumenthal | 390 |
| 321 | Gill Sans Extra Bold (aka Gill Sans-Serif Extar Heavy) | Roman | 336 |
| 322 | Script Bold (aka Script) | Script | |
| 323 | Falstaff | Roman and Italic 1931 based on 19c type | 347 |
| 324 | Albertus Titling | Roman | |
| 325 | Tonic Sol-Fa | ||
| 326 | Daily Mail Modern | W/d in 1974 | |
| 327 | Times New Roman | Roman and Italic. 1932, by Stanley Morison | 325:(4¼-14pt) 426:(16-18pt) |
| 327 | Times New Roman | Cyrillic | |
| 328 | Times Bold Titling (No.2) (aka The Times Heavy Titling) | Roman | 331 |
| 329 | Times Titling | Roman | 328 |
| 330 | Egyptian Bold (aka Egyptian) | Roman. W/d in 1967 | 3 |
| 331 | Zethmeyer Fraktur | Fraktur. W/d in 1964 | |
| 332 | Times Bold Titling | Roman | |
| 333 | Times Newspaper Smalls (aka Newspaper Small Ads (The Times)) | Roman | 329 |
| 334 | Times Bold (aka Bold (The Times)) | Roman and Italic | 324:(roman 5½-14pt) 325:(italic 5½-14pt) |
| 334 | Times Bold | Cyrillic | |
| 335 | Times Newspaper Smalls (aka Newspaper Small Ads (The Times)) | Roman | 330 |
| 336 | Missal | ||
| 337 | Heavy Small Caps | (for Imprimerie Nationale). W/d in 1974 | |
| 338 | Gill Sans Shadow (No.3) (aka Gill Sans-Serif Two Colour) | Roman | |
| 339 | Times Extended Titling | Roman | 327 |
| 340 | Tamil Bold (aka Tamil Heavy) | Tamil | |
| 341 | Bell | Roman and Italic | 314 |
| 1932, based on Richard Austin's 1788 type for Bell | |||
| 342 | Ionic (No.2) | Roman and Italic | 317 |
| 343 | Gill Sans Bold Condensed (aka Gill Sans-serif Bold Condensed or Gill Bold Condensed Sans-Serif) | Roman | 316 |
| 344 | Typewriter (No.8) | (Imperial). W/d in 1967 | 28 |
| 345 | Times Bold (aka Bold (The Times)) | Roman | 326 |
| 346 | Devanagari Bold | Devenagari | |
| 347 | Mardersteig | W/d in 1967 | |
| 348 | Leysbourne | Roman. W/d in 1965 | 359 |
| 349 | Gill Sans (No.2) (aka Gill Sans-serif) | Roman and Italic | 345 |
| 350 | Gill Sans Bold (No.2) | Roman | 346 |
| 351 | Monoline Script (aka Script Monoline) | Script | |
| 352 | Centaur | Roman and Italic | 389:(roman 18pt) 166:(italic 18pt) |
| 353 | Gill Sans Poster (aka Gill Sans-Serif) | Roman | |
| 354 | Antique (No.2) | Roman. W/d in 1967 | 335 |
| 355 | Times Hever Titling | Roman | 323 |
| 356 | Old English Text | Fraktur. W/d in 1967 | 318 |
| 357 | Bodoni (No.2) (aka Bodoni Book) | Roman and Italic | 319 |
| 358 | Times Titling | W/d in 1967 | |
| 359 | Rockwell Bold Condensed (aka Rockwell Heavy Condensed) | Roman | 411 |
| 360 | Times Bold (No.3) (aka Bold (The Times)) | Roman | 324 |
| 361 | Gloucester Bold Titling | W/d in 1967 | |
| 362 | Gill Sans Light (aka Gill Sans-Serif Light) | Roman and Italic | 82:(roman) 311:(italic) |
| 362 | Gill Sans Light | Cyrillic | |
| 363 | Enge Fraktur Halbfette | Fraktur. W/d in 1967 | |
| 364 | Goudy Catalogue (No.2) | Roman and Italic | 1:(5-6pt) 419:(7¾pt) |
| 365 | Grotesque Bold Condensed (aka Heavy Narrow Gothic) | Roman. W/d in 1967 | 333 |
| 366 | Inflex Bold (aka Bold Face) | Roman | 344 |
| 367 | Breitkopf Fraktur | Fraktur. W/d in 1972 | |
| 368 | Solus Bold (aka Solus Heavy) | Roman. W/d in 1967 | 320 |
| 369 | Jocunda | W/d in 1967 | |
| 370 | Bembo Titling (aka Aldine Bembo Titling) | Roman and Italic | |
| 370 | Bembo Titling | Cyrillic | |
| 371 | Rockwell | Roman and Italic | 338 |
| 1934, from an American design of an Egyptian letter | |||
| 372 | Goudy Catalogue 2 line Caps | W/d in 1965 | |
| 373 | Gill Sans Bold Condensed Titling (No.1) (aka Gill Sans-Serif Extra Bold Titling or Gill Extra Bold Condensed Sans-Serif Titling) | Roman | |
| 373 | Gill Sans Bold Condensed Titling | Cyrillic | |
| 374 | Walbaum | Roman and Italic. 1934, based on J.E.Walbaum, re-cut by Berthold | 349:(6D-11D) 350:(8D) 351:(14pt) 352:(14D) 353:(16D) |
| 375 | Walbaum Medium | Roman and Italic | 355:(roman 6D-12D) 356:(roman 14D) 392:(italic 8D-14D) 357:(roman 16D) 393:(italic 16D) |
| 376 | Baskerville Bold Titling (for Newspaper Headings) | Roman. W/d in 1965 | 374 |
| 377 | Baskerville Bold Large Face | W/d in 1967 | |
| 378 | Baskerville Bold Titling (for Newspaper Headings) | Roman. W/d in 1965 | 372 |
| 379 | Essener Fraktur Fette | Fraktur. W/d in 1967 | |
| 380 | Baskerville Extra Bold Titling | W/d in 1967 | |
| 381 | Baskerville Titling (for Newspaper Headings) | Roman. W/d in 1965 | 372 |
| 382 | Musical Signs | ||
| 383 | Grotesque Condensed (No.4) (aka Condensed Heavy Grotesque or Grotesque Condensed Heavy) | Roman | 341 |
| 383 | Grotesque Condensed | Cyrillic | |
| 384 | Hessen Fraktur | Fraktur. W/d in 1964 | |
| 385 | Wenceslas Script (aka Script or Script: Wenceslas) | Script. W/d in 1967 | |
| 386 | Perpetua (No.2) | Roman and Italic W/d in 1967 | 96 |
| 387 | Blücher Fraktur Fette | Fraktur. W/d in 1967 | |
| 388 | Grock | Roman | |
| 389 | Grotesque Light (aka Grotesque No.2) | Roman. W/d in 1967 | 2 |
| 390 | Rockwell Light | Roman and Italic | 338 |
| 391 | Rockwell Bold (aka Rockwell Heavy) | Roman and Italic | 340 |
| 392 | Theuerdank Fraktur | Fraktur. W/d in 1964 | |
| 393 | Missal | Roman | 462:(13½pt) 463:(15pt) |
| 394 | Poltawski | Roman | 156 |
| a394 | Goudy Old Style (Lanston Monotype) | Roman and Italic Loan Library omitted after 1958 | |
| 395 | Gloucester Bold Extra Condensed | Roman | |
| a395 | Cloister Old Style (Sorts) | Roman and Italic W/d before 1966 | |
| 396 | Gloucester Extra Condensed (aka Gloucester Old Style Extra Condensed) | Roman | |
| 397 | Menhart | Roman and Italic | 378 |
| 398 | Poltawski Bold | Roman | 365 |
| 399 | Felix Titling | Roman | |
| 400 | Emerson | W/d in 1967 | |
| 401 | Leibniz Fraktur | Fraktur. W/d in 1967 | |
| 402 | Nastaliq | Cancelled | |
| 403 | Fontana | Roman and Italic. 1936 by Giovanni Mardesteig, based on Wilson 1760 | 464:(8-14pt) 488:(roman 18-24pt) 464:(italic 18pt) |
| 404 | Porson Condensed | Greek. W/d in 1967 | |
| 405 | Grotesque Light Condensed (aka Narrow Grotesque or Grotesque Narrow) | Roman. W/d in 1967 | 414 |
| 406 | Gill Sans Shadow (No.1) (aka Gill Sans-serif Shadow No.1) | Roman | |
| 407 | Antique (No.4) | Roman and Italic W/d in 1965 | 70 |
| 408 | Gill Sans Shadow (No.2) (aka Gill Sans-serif Shadow No.2) | Roman | |
| 409 | Arabic (for Egyptian Government) | Cancelled, replaced by series 549 in 1946 | |
| 410 | Imprint Bold (No.2) (aka Imprint Heavy) | Roman and Italic | 348:(roman) 76:(italic) |
| 411 | Pierre Didot | Roman and Italic W/d in 1965 | 375 |
| 412 | Clarendon (No.2) | Roman. W/d in 1967 | 2 |
| 413 | Breitkopf Fraktur Halbfette | Fraktur | |
| 414 | Rockwell Condensed | Roman | |
| 415 | Arabic Display | Cancelled in 1950 | |
| 416 | Ionic (No.5) | Roman and Italic W/d in 1967 | 1 |
| 417 | Hessen Fraktur Halbfette | Fraktur. W/d in 1964 | |
| 418 | Mainzer Fraktur | Fraktur. W/d in 1967 | |
| 419 | Latin Condensed (aka Condensed Latin) | Roman | |
| 420 | Runic Condensed | Roman | |
| 421 | Times New Roman Semi-Bold | Roman and Italic | 325 |
| 422 | Modern (No.7) | Roman and Italic W/d in 1965 | 376 |
| 423 | Jean Paul Fraktur | Fraktur. W/d in 1967 | |
| 424 | Rockwell Extra Bold (aka Rockwell Extra Heavy) | Roman | 162 |
| 425 | Divina Comedia | Destroyed | |
| 426 | Telugu | W/d in 1969 | |
| 427 | Times New Roman Wide | Roman and Italic | 325:(7-14pt) 426:(22pt) |
| 428 | Bembo Bold (aka Bembo Heavy or Aldine Bembo Bold) | Roman and Italic | 368:(6-14pt) 399:(large 14-18pt) |
| 429 | Palace Script | Script | |
| 430 | Gill Face | Destroyed | |
| 431 | Floriated Capitals | Roman. 1936 | |
| 432 | Mainzer Fraktur Halbfette | Fraktur. W/d in 1964 | |
| 433 | Gill Moiree Shadow | Destroyed | |
| 434 | Shadow French | Withdrawn | |
| 435 | Heavy Shadow French | Withdrawn | |
| 436 | Dorchester Script (aka Script: Dorchester) | Script | |
| 437 | Fontana Bible Face | Roman and Italic | 464 |
| 438 | Plantin Titling | Roman | |
| 439 | Goudy Titling | Roman | 377 |
| 440 | Titling | Roman. W/d in 1965 | 413 |
| 441 | Goudy Bold (No.2) | Roman and Italic | 382 |
| 442 | Gill Sans Ultra Bold (aka Gill Sans-serif Ultra Bold or Gill Ultra Bold) | Roman | |
| 443 | Fontana Titling | Destroyed | |
| 444 | Modern | Cancelled 1936 | |
| 445 | Tempest | W/d in 1973 | |
| 446 | Breitkopf Fraktur Fette | Fraktur. W/d in 1972 | |
| 447 | Modern Extended No.3 | Roman. W/d in 1965 | 1 |
| 448 | Missal Face No.3 | ||
| 449 | Alte Fraktur Fette (aka Halbfette Alte Monotype Fraktur) | Fraktur. W/d in 1964 | |
| 450 | Laudian Old Style | Roman and Italic | 1 |
| 451 | Ionic | Roman and Italic W/d in 1967 | 380 |
| 452 | Emery | W/d in 1965 | |
| 453 | Ehrhardt | Roman and Italic | 397 |
| 1937, based on Ehrhardt late 17c, possibly cut by Nicholas Kis | |||
| 453 | Pitman's i.t.a. | (Ehrhardt plus Series L211 and sorts) | |
| 454 | Laudian Old Style | Destroyed | |
| 455 | Temple Script (aka Script: Temple) | Script | 386 |
| 456 | Old English Text (No.2) (aka Old English Text Light) | Fraktur | 318 |
| 457 | Sachsenwald-Gotisch | Fraktur. W/d in 1967 | |
| 458 | Romulus | Roman and Italic. 1936 by Jan van Krimpen. Cut by Enschedé 1931 | 405:(8D-14D) 406:(16D-20D) |
| 459 | Missal Face No.4 | ||
| 460 | Gujerathi | Gujerathi | |
| 461 | Perpetua Bold | Roman and Italic | 379 |
| 462 | Indicateur | Roman and Italic W/d in 1967 | 394 |
| 463 | Rundgotisch | Fraktur. W/d in 1972 | |
| 464 | Egyptian Condensed (No.4) | Roman. W/d in 1967 | 130 |
| 465 | Egyptian Extended | Destroyed | |
| 466 | Roman for series 367 | Cancelled 1936 | |
| 467 | Breitkopf Fraktur | Fraktur. W/d in 1967 | |
| 468 | Gill Sans Bold Extra Condensed (aka Gill Sans-serif Bold Extra Condensed) | Roman | |
| 469 | Bulmer | Roman and Italic | 412 |
| 1936, based on William Martin 1790 for Bulmer | |||
| 470 | Bengali | Bengali | |
| 471 | Modern (No.8) | Roman. W/d in 1967 | 1 |
| 472 | Greek: Inclined | Greek | 434 |
| 473 | Greek | Greek. W/d in 1967 | |
| 474 | Times New Roman Heavy Book | Destroyed | |
| 475 | Script Light (aka Light Script) | Script | |
| 476 | Ionic | Destroyed | |
| 477 | Century Schoolbook Bold | Roman | 498 |
| 478 | Joanna | Roman and Italic | 449 |
| 1937 by Eric Gill. Trade release 1958. Based on Hague & Gill's 1930 type cut by H.W.Caslon | |||
| 479 | Emerson | Destroyed | |
| 480 | Perpetua Light Titling (aka Perpetua Titling Light Face) | Roman | |
| 481 | Albertus | Roman. 1932 by Berthold Wolpe | |
| 482 | Uhlen Con Bold Fraktur (aka Ullstein Fraktur Fette Enge) | Fraktur. W/d in 1973 | |
| 483 | Uhlen Rundgotisch | Fraktur. W/d in 1972 | |
| 484 | Gustavus Bold | W/d in 1965 | |
| 485 | Gill Sans Condensed (aka Gill Sans-Serif Medium Condensed | Roman | 499 |
| 485 | Gill Sans Condensed | Cyrillic | |
| 486 | Sans-Serif (aka Heavy Greek) | Greek | 415 |
| 487 | Gill | Hebrew. W/d in 1967 | |
| 488 | Mayer Pointed | Hebrew | |
| 489 | Peninim | Hebrew | |
| 490 | Lamp | Cancelled | |
| 491 | Anchor | Cancelled | |
| 492 | Mayer | Hebrew | |
| 493 | Grosvenor Script (aka Script: Grosvenor) | Script | |
| 494 | Bruce Rogers | In abeyance 1967 | |
| 495 | B.O.A.C. | No record | |
| 496 | Matura | Script. 1938 by Imre Reiner | |
| 497 | Gustavus Light | W/d in 1965 | |
| 498 | Enschedé Fraktur | Fraktur. W/d in 1967 | |
| 499 | Sachsenwald Mager | W/d in 1965 | |
| 500 | Modern Timetable | W/d in 1967 | |
| 501 | Clarendon Timetable | W/d in 1967 | |
| 502 | Grotesque Timetable | W/d in 1967 | |
| 503 | Bold Face (aka Inflex Timetable) | W/d in 1965 | |
| 504 | Bodoni (No.5) | Roman and Italic | 319 |
| 505 | Placard Light Extra Condensed | Roman | 387 |
| 506 | Placard Bold Condensed (No.1) | Roman | 387 |
| 506 | Placard Bold Condensed | Cyrillic | |
| 507 | Urdu | Urdu | |
| 508 | Pegasus | Roman. 1937 | |
| 509 | Bembo Semi-Bold | Roman and Italic | 91 |
| 510 | Chatsworth | Roman. W/d 1965 | 391 |
| 511 | Condensa | Italic | |
| 512 | Dürer Fraktur Halbfette | Fraktur. W/d in 1965 | |
| 513 | Dürer Fraktur Fette | Fraktur. W/d in 1965 | |
| 514 | Fanfare Bold Con. It. Titling | Italic. Destroyed | |
| 515 | Placard Bold Condensed (No.2) | Roman | |
| 515 | Placard Bold Condensed | Cyrillic | |
| 516 | Fanfare Bold Con. It. Titling No.2 | Italic | |
| 517 | L.P.T.B. Titling | W/d in 1965 | |
| 518 | Gujerathi Bold | Gujerathi | |
| 519 | Propylaen Fraktur | Fraktur. W/d in 1964 | |
| 520 | Romulus Bold (aka Van Krimpen Bold) | Roman and Italic | 404 |
| 521 | Berliner Fraktur | Fraktur. W/d in 1965 | |
| 522 | Placard Condensed Titling (aka Light Placard Titling) | Roman | |
| 522 | Placard Condensed Titling | Cyrillic | |
| 523 | Grotesque Condensed Titling (No.4) | Roman | |
| 524 | Grotesque Bold Titling (No.1) | Roman | |
| 525 | Gill Sans Bold Condensed Titling (No.2) | Roman | |
| 526 | Gill Sans Extra Bold Titling | Roman | |
| 527 | Grotesque Bold Condensed Titling (No.4) | Roman | |
| 528 | Matura Scriptorial Capitals | ||
| 529 | Bodoni Bold Condensed (aka Bodoni Heavy Condensed) | Roman and Italic | |
| 529 | Bodoni Bold Condensed | Cyrillic | |
| 530 | Uhlen Rund Gotisch Caps | W/d in 1965 | |
| 531 | Haarlemmer | Roman and Italic W/d in 1967 | 408 |
| 532 | Prayer Book Face (for O.U.P.) | Cancelled | |
| 533 | Gravura | Roman. W/d in 1965 | 1 |
| 534 | Albertus Light | Roman | |
| 535 | L.M.M.Co. series 237 | Cancelled 1945 | |
| 536 | Figaro | Roman | |
| 537 | Morrison Face | W/d in 1974 | |
| 538 | Albertus Bold Titling | Roman | |
| 539 | Georgian Light | Georgian | |
| 540 | Georgian Bold | Georgian | |
| 541 | same as series 364 | Cancelled 1941 | |
| 542 | Arabic Bold | Destroyed | |
| 543 | Perpetua Titling | W/d in 1967 | |
| 544 | Old Style Bold (No.5) | Roman | 2 |
| 545 | Century Bold | W/d in 1967 | |
| 546 | Century Bold Extended | W/d in 1967 | |
| 547 | Hebrew Schocken No.1 | Hebrew. W/d in 1974 | |
| 548 | Lectern Missal | Roman | 472 |
| 549 | Arabic Naskh | Arabic | |
| 550 | Hebrew Schocken No.2 | Hebrew. W/d in 1967 | |
| 551 | Hebrew Schocken No.3 | Hebrew. W/d in 1967 | |
| 552 | Sheldon | (for O.U.P.) | |
| 553 | Old Style Bold Inclined | Greek | 436 |
| 554 | Festival Titling | ||
| 555 | Angelus | Roman and Italic | 474 |
| 556 | Spectrum | Roman and Italic | 428 |
| 1955 by Jan van Krimpen. Originally cut by Enschedé 1952 | |||
| 557 | Sinhalese | Sinhalese | |
| 558 | Burmese Light | Burmese | |
| 559 | Arabic Solloss | Arabic | |
| 561 | Perpetua Semi-Bold | W/d in 1963 | |
| 562 | Ionic Two-line | Roman | |
| 563 | Ehrhardt | W/d in 1974 | |
| 564 | Syriac 'Estrangelo' | Syrian | |
| 565 | Times Upright | Greek | 438 |
| 566 | Times Inclined | Greek | 437, 438 |
| 567 | Times Bold Upright | Greek | 438, 439 |
| 568 | Placard Condensed (aka Placard Medium Condensed) | Roman. 1937, based on a German face | 387 |
| 568 | Placard Condensed | Cyrillic | |
| 569 | Times Four-line Mathematics | ||
| 570 | Modern Bold | Roman | 2 |
| 571 | Gill Sans Inclined | Greek | 450 |
| 572 | Gill Sans Upright | Greek | 451 |
| 573 | Ehrhardt Semi-Bold | Roman and Italic | 430 |
| 573 | Pitman's i.t.a. | (Ehrhardt plus Series L219 and sorts) | |
| 574 | Ashley Script | Script. 1955 by Ashley Havinden | |
| 575 | Gill Sans Bold | Roman. W/d in 1967 | |
| 577 | Thai | Thai | |
| 578 | Burmese Bold | Burmese | |
| 579 | Jacno | Experimental | |
| 580 | Tamil Medium | Tamil | |
| 581 | Tamil Bold | Tamil. Cancelled | |
| 582 | Rockwell Light Condensed | Film Sub-Titles | 338 |
| 583 | Swing Bold | Script | |
| 584 | Mercurius Bold Script | Script. 1958 by Imre Reiner | |
| 585 | Gill Sans Condensed | Greek | |
| 586 | Fabritius | Roman | 497 |
| 587 | Georgian | Georgian | |
| 588 | Kannada | Kannada. 1962 | |
| 589 | Arabic Naskh Accented | Arabic | |
| 590 | Malayalam | Malayalam | |
| 591 | Onyx | Roman | |
| 592 | Dante | Roman and Italic | 441 |
| 1959 by Giovanni Mardesteig, cut by Malin 1954 | |||
| 593 | Klang | 1955 by Will Carter | |
| 594 | Research for Bruce Rogers Titling | ||
| 595 | Headline Bold | Roman and Italic | 443 |
| 1956, based on Stephenson Blake's Grotesque No.9 | |||
| 596 | Futura Buchschrift | Suspended 1960 | |
| 597 | Old Bulgarian | Old Bulgarian | |
| 598 | Glagolitic | Glagolitic | |
| 599 | Amharic | Amharic | |
| 600 | Castellar | Roman. 1957 by John Peters | |
| 601 | Gurmukhi Bold | Gurmukhi | |
| 602 | Typewriter IBM "Executive'' | Roman | 442 |
| 603 | Octavian | Roman and Italic | 485 |
| 1964 by Will Carter & David Kindersley | |||
| 604 | Gurmukhi (aka Gurmukhi Light) | Gurmukhi | |
| 605 | Placard Light Extra Condensed | Greek | |
| 606 | New Face (for Frankfurt) | Suspended in 1964 | |
| 607 | New Face Bold (for Frankfurt) | Suspended in 1964 | |
| 608 | Thai Light | Thai | |
| 609 | Louvain Coptic | Coptic | |
| 610 | New Emerald Bible | (for O.U.P.) | |
| 611 | Thai Bold | Thai | |
| 612 | Dante Titling | Roman | |
| 613 | Pepita | Script. 1959 by Imre Reiner | |
| 614 | Forte | Script | |
| 615 | New Grotesque | W/d in 1974, apart from ''A'' | |
| 616 | New Grotesque Bold | W/d in 1974, apart from ''A'' | |
| 617 | New Clarendon | Roman and Italic. 1960, based on 19c Clarendon | 481 |
| 618 | New Clarendon Bold | Roman | 482 |
| 619 | Bell Gothic | Roman | 445 |
| 620 | Bell Gothic Bold | Roman | 445 |
| 621 | Thai Medium | Thai | |
| 624 | Amharic | Amharic | |
| 625 | Gill Sans Bold Upright | Greek | 452 |
| 626 | Telugu Medium | Telugu | |
| 627 | Times New Roman Book | Roman and Italic | 325:(7½pt-14D) 426:(24pt) |
| 628 | Thai Light Italic | Thai | |
| 629 | Traveller | Roman | |
| 632 | Fleet Titling | Roman. 1967 | |
| 633 | Chinese | W/d in 1974 | |
| 636 | Figaro Bold | Cancelled in 1967 | |
| 638 | Armenian | Armenian | |
| 639 | Times Cosmoli Titling | W/d in 1966 | |
| 643 | Berling | Roman and Italic. W/d in 1973 | 495 |
| 644 | Berling Semi-Bold | Roman. W/d in 1973 | 496 |
| 646 | Janson | W/d in 1972 | |
| 649 | Arabic Naskh Bold | Arabic | |
| 650 | Century Schoolbook | Roman and Italic | |
| 651 | Century Schoolbook Bold | Roman | |
| 652 | Opus | Cancelled in 1966 | |
| 657 | Sinhalese Bold | Sinhalese | |
| 660 | Malayalam | Malayalam | |
| 662 | Gill Sans Light (No.2) | Roman | 345 |
| 663 | Plantin Semi-Bold | Roman and Italic | 5:(roman) 3:(italic) |
| 666 | New Grotesque Light | W/d in 1967, apart from 'A' | |
| 667 | Times Bold Inclined | Greek | 437, 438 |
| 668 | Placard Condensed Upright | Greek | |
| 669 | Sabon | Roman and Italic. 1968 by Jan Tschichold | 503 |
| 670 | Bengali Bold | Cancelled in 1967 | |
| 672 | Gill Sans Light Upright | Greek | 451 |
| 673 | Sabon Semi-Bold | Roman | 503 |
| 674 | Walbaum | Roman and Italic | 349 |
| 680 | Grotesque Bold | Roman | 502 |
| 682 | Dante Semi-Bold | Roman and Italic | 504 |
| 683 | Grotesque Condensed Upright | Greek | |
| 684 | Univers Extra Light Extra Condensed | Roman | |
| 685 | Univers Light | Roman and Italic | 483 |
| 686 | Univers Light Condensed | Roman and Italic | 492 |
| 687 | Univers Light Extra Condensed | Roman | 501 |
| 688 | Univers Medium Expanded | Roman | 491 |
| 689 | Univers Medium | Roman and Italic | 483 |
| 1961 by Adrian Frutiger, originally for Deberny & Peignot 1957 | |||
| 690 | Univers Medium Condensed | Roman and Italic | 493 |
| 691 | Univers Medium Extra Condensed | Roman | 500 |
| 692 | Univers Bold Expanded | Roman | 491 |
| 693 | Univers Bold | Roman and Italic | 486 |
| 694 | Univers Bold Condensed | Roman and Italic | 494 |
| 695 | Univers Extra Bold Expanded | Roman | 490 |
| 696 | Univers Extra Bold | Roman and Italic | 484 |
| 697 | Univers Ultra Bold Expanded | Roman | 490 |
| 698 | Sinhalese Italic | Sinhalese | |
| 699 | Sinhalese Bold Italic | Sinhalese | |
| 700 | Bengali | Bengali | |
| 701 | Bengali Bold | Bengali | |
| 704 | Gujerathi | Gujerathi | |
| 706 | Oriya | Oriya | |
| 707 | Urdu Bold | Urdu | |
| 708 | Tamil Medium | Tamil | |
| 718 | Grotesque Condensed Upright | Greek | |
| 721 | Farsi | Arabic | |
| 726 | Telugu Bold | Telugu | |
| 727 | Times New Roman (Light Caps) | Roman | 325 |
| 739 | Spartan Light Upright | Greek | 454 |
| 740 | Spartan Upright | Greek | 454 |
| 741 | Spartan Bold Upright | Greek | 454 |
| 742 | Vijapure Devanagari | Devenagari. 1972 | |
| 743 | Vijapure Devanagari Bold | Devenagari. 1972 | |
| 755 | Devanagari Italic | Devenagari | |
| 756 | Spectrum Semi-Bold | Roman | 509 |
| 760 | Bodoni Bold Titling | Roman | |
| 764 | Helvetica Light | Roman and Italic | 510 |
| 765 | Helvetica | Roman and Italic | 508 |
| 766 | Helvetica Medium | Roman and Italic | 508 |
| 773 | Plantin Light | Roman and Italic | 4 |
| 787 | Kannada Semi-Bold | Kannada | |
| 788 | Kannada Bold | Kannada | |
| 811 | Gauthier | Roman and Italic. 1978 (for Imprimerie Nationale) | |
| 827 | Times New Roman (French) | Roman and Italic | 325 |
| 885 | Greek (Special) | Greek | |
| 889 | Univers Medium Upright | Greek | 506 |
| 893 | Univers Bold Upright | Greek | 507 |
| 897 | Greek (Special) | Greek | |
| 923 | Hungry Dutch | Roman. 2019 | |
| 989 | Univers Medium Inclined | Greek | 506 |
| A6 | Gothic (Special) | Roman caps | |
| B6 | Antique Latin (Special) | ||
| C | Bold Face (Special) | ||
| G | Albion No.3 | ||
| H | Titling (Caps) | Roman | 33:(11pt) 34:(12pt) |
| J | Grotesque (Special) | Roman caps | |
| L2 | Gothic Bold (Special) | Roman caps | |
| L3 | Gothic (Special) | Roman caps | |
| L4 | Gothic Condensed (Special) | Roman caps | |
| L5 | Gothic (Special) | Roman caps | |
| L8 | Gill Sans Bold Timetable | Roman | |
| L11 | Antique Extended No.2 | ||
| L15 | Small capitals | Italic (match 7) | |
| L17 | Calendar Figures | Roman | |
| L19 | Calendar Days | Roman. (match 103) | |
| L26 | Shortened descenders | Roman (match 8) | |
| L29 | Greek inclined superiors | Greek (based on 472) | |
| L30 | Greek inclined inferiors | Greek (based on 472) | |
| L42 | Greek inclined superiors | Greek (based on 472) | |
| L43 | Greek inclined inferiors | Greek (based on 472) | |
| L44 | Superiors | Roman (match 128) | |
| L45 | Superiors | Italic (match 128) | |
| L46 | Superiors | Roman (Old Style) | |
| L59 | Superiors | Roman (based on 18 and align with F60) | |
| L60 | Inferiors | Roman (based on 18 and align with F61) | |
| L67 | Superiors | Roman (based on 16 and align with F60) | |
| L68 | Inferiors | Roman (based on 16 and align with F61) | |
| L69 | Kerned capitals | Italic (match 7) | |
| L70 | Kerned capitals | Italic (match 169) | |
| L76 | Superiors | Roman (match 185) | |
| L78 | Superiors | Roman (match 262) | |
| L79 | Superiors | Roman (match 275) | |
| L80 | Superiors | Roman (match 362) | |
| L81 | Superiors | Roman (match 371) | |
| L83 | Capitals | Roman (9 units, match 262) | |
| L84 | Superiors | Roman (match 194) | |
| L87 | Superiors | Roman and Italic (match 1) | |
| L88 | Inferiors | Roman and Italic (match 1) | |
| L89 | Capitals and figures for race cards | Roman (10 on 8pt, match 73) | |
| L90 | Superiors | Roman and Italic | |
| L91 | Inferiors | Roman and Italic | |
| L99 | Superiors | Roman (match 270) | |
| L104 | Superiors | Roman (match 127) | |
| L105 | Superiors | Roman (match 390) | |
| L106 | Superiors | Roman (match 391) | |
| L107 | Superiors | Roman (match 374) | |
| L109 | Capitals with joining overscore | Roman (match 169) | |
| L110 | Superiors | Roman (match 42 | |
| L112 | Superiors | Roman (match 16) | |
| L113 | Superiors | Roman (match 126) | |
| L114 | Kerned capitals | Italic (match 101) | |
| L115 | Superiors | Roman (match 51) | |
| L117 | Gill Sans Bold Timetable | Roman | |
| L119 | 3-line encircled capitals | Roman (match 262) | |
| L120 | Superiors | Roman (match 215) | |
| L122 | Superiors | Roman (match 216) | |
| L124 | Superiors | Roman (match 441) | |
| L125 | Superiors | Roman (match 383) | |
| L126 | Superiors | Script (match 455) | |
| L128 | Superiors | Roman (match 436) | |
| L129 | Capitals for race cards | Roman (10 on 8pt, match 321) | |
| L133 | Cameo capitals in rectangles | Roman (match L175) | |
| L134 | Inferiors | Roman (match 185) | |
| L138 | Superiors | Roman (match 33) | |
| L146 | Superiors | Roman (match 318) | |
| L148 | Superiors | Roman (match 235) | |
| L153 | Superiors | Roman (match 453) | |
| L154 | Superiors | Roman (match 274) | |
| L156 | Superiors | Roman (match 428) | |
| L157 | Superiors | Roman (match 261) | |
| L161 | Superiors | Roman (match 139) | |
| L162 | Cameo circled capitals | Roman | |
| L166 | Letters in rounded corner rectangles | Roman | |
| L167 | Letters with joining overscore | Italic (match 65) | |
| L169 | Superiors | Roman (match 140) | |
| L170 | Superiors | Roman (match 141) | |
| L171 | Superiors | Roman (match 142) | |
| L172 | Superiors | Roman (match 145) | |
| L174 | Superiors | Roman (match 573) | |
| L175 | Capitals in rectangles | Roman (match L133) | |
| L176 | Greek inclined superiors | Greek (based on 106, match L59) | |
| L177 | Greek inclined inferiors | Greek (based on 106, match L60) | |
| L178 | Superiors | Roman (match 301) | |
| L179 | Small capitals | Italic (match 327) | |
| L180 | Superiors | Roman (match 231) | |
| L182 | Inferiors | Roman (match 262) | |
| L184 | Capitals in squares | Roman | |
| L185 | Laterally-reversed characters | Roman (match 215) | |
| L186 | Laterally-reversed characters | Roman (match 318) | |
| L187 | Superiors | Cyrillic (match L87) | |
| L188 | Inferiors | Cyrillic (match L88) | |
| L189 | Superiors | Roman (match 592) | |
| L192 | Bold superiors | Roman (match L87) | |
| L193 | Bold inferiors | Roman (match L88) | |
| L194 | Greek upright superiors | Greek (match L87) | |
| L195 | Greek inclined superiors | Greek (match L88) | |
| L196 | Greek upright inferiors | Greek (match L87) | |
| L197 | Greek inclined inferiors | Greek (match L88) | |
| L198 | Cameo squared capitals | Roman | |
| L202 | Inferiors | Roman (match 270) | |
| L205 | Superiors | Roman (match 72) | |
| L206 | Gill small capitals | Roman c.1960 | |
| L209 | Superiors for mathematics | Roman (match 342) | |
| L210 | Inferiors for mathematics | Roman (match 342) | |
| L211 | Pitman's i.t.a. majuscules | Roman (match 453) | |
| L219 | Pitman's i.t.a. majuscules | Roman (match 573) | |
| L221 | Capitals in scalloped corner rectangles | Roman | |
| L222 | Superiors | Roman (match 689) | |
| L223 | Superiors | Roman (match 696) | |
| L224 | Superiors | Roman (match 685) | |
| L225 | Superiors | Roman (match 693) | |
| L227 | Capitals in circles | Roman | |
| L228 | Superiors | Roman (match 252) | |
| L230 | Superiors | Roman (match 150) | |
| L231 | Extraneous sorts | Roman (match 569) | |
| L232 | Greek upright superiors for mathematics | Greek (match L209) | |
| L233 | Greek upright inferiors for mathematics | Greek (match L210) | |
| L234 | Greek inclined superiors for mathematics | Greek (match L209) | |
| L235 | Greek inclined inferiors for mathematics | Greek (match L210) | |
| L236 | Superiors | Roman and Italic (match 327) | |
| L237 | Inferiors | Roman and Italic (match 327) | |
| L238 | Greek upright superiors | Greek (match 565) | |
| L239 | Greek upright inferiors | Greek (match 565) | |
| L240 | Greek inclined superiors | Greek (match 566) | |
| L241 | Greek inclined inferiors | Greek (match 566) | |
| L244 | Inferiors | Roman (match 275) | |
| L247 | Superiors | Roman (match 12) | |
| L248 | 2-line encircled capitals | Roman (match 262) | |
| L250 | Superiors | Roman (match 686) | |
| L251 | Superiors | Roman (match 690) | |
| L252 | Superiors | Roman (match 694) | |
| L253 | Modern Extended | Roman (7-11pt centred on 24pt) | |
| L254 | Inferiors | Roman (match 689) | |
| L255 | Inferiors | Roman (match 696) | |
| L256 | Superiors | Roman (for 334 and match L236) | |
| L257 | Superiors | Roman (match 349) | |
| L258 | Superiors | Roman (match 350) | |
| L261 | Superiors | Roman (match 617) | |
| L263 | Superiors | Roman (match 105) | |
| L264 | Inferiors | Roman (for 334 and match L237) | |
| L265 | Superiors | Roman (match 366) | |
| L266 | Superiors | Roman (match 688) | |
| L267 | Superiors | Roman (match 695) | |
| L268 | Superiors | Roman (match 692) | |
| L269 | Superiors | Roman (match 697) | |
| L270 | Horizontal Cancellations | Roman (match 327) | 325 |
| L271 | Superiors | Roman (match 312, 313) | |
| L272 | Inferiors | Roman (match 312, 313) | |
| L273 | Cameo circled capitals | Roman | |
| L274 | Inferiors | Roman (match 42) | |
| L275 | Superiors | Roman (match 227) | |
| L276 | Inferiors | Roman (match 215) | |
| L278 | Superiors | Roman (match 595) | |
| L279 | Inferiors | Roman (match 126) | |
| L280 | Superiors | Roman (match 602) | |
| L287 | Superiors | Roman (match 618) | |
| L289 | Electronic reading fount | CMC7 | |
| L290 | Inferiors | Roman (match 453) | |
| L292 | Superiors | Roman (match 687) | |
| L293 | Superiors | Roman (match 691) | |
| L294 | Superiors | Roman (match 341) | |
| L295 | Inferiors | Roman (match 685) | |
| L305 | Open sanserif characters | Roman (for 327 and match 569) | |
| L306 | Greek (title uncertain) | ||
| L310 | Times New Roman | Roman (327-10pt for Devanagari 155-12pt) | |
| L311 | Underscore | Roman (match 318) | |
| L312 | Greek small capitals | Greek (match 90) | |
| L318 | Greek upright superiors | Greek (for 334 and match L236) | |
| L320 | Capitals in circles | Roman (696 design) | |
| L321 | Small capitals | Roman (match 428) | |
| L322 | Capitals in squares | Roman (262 design) | |
| L324 | Superiors | Roman (match 582) | |
| L327 | Small capitals | Italic (match 453) | |
| L332 | Greek upright inferiors | Greek (for 334 and match L237) | |
| L337 | Open characters | Roman (for 327 and match L231) | |
| L343 | OCR-B | OCR. 1968 | |
| L346 | Inferiors | Roman (match 686) | |
| L351 | Open characters | Roman (match 262) | |
| L359 | Open sanserif characters | Roman (match 7) | |
| L365 | Inferiors | Roman (match 690) | |
| L368 | Superiors | Script (for 327 and match L236) | |
| L369 | Inferiors | Script (for 327 and match L237) | |
| L371 | Capitals in circles | Italic (169 design) | |
| L372 | Superiors | Fraktur (for 327 and match L236) | |
| L373 | Inferiors | Fraktur (for 327 and match L237) | |
| L374 | Open characters | Roman (match 689) | |
| L378 | Open characters | Roman (match 275) | |
| L386 | Superiors | Roman (match 765) | |
| L396 | Greek small capitals | Greek (match 565) | |
| L397 | Superiors | Roman (match 766) | |
| L398 | Greek inclined inferiors | Greek (for 334 and match L237) | |
| L401 | Capitals in circles | Roman (689 design) | |
| L411 | Characters in squares | Roman (694 design) | |
| L413 | Inferiors | Roman (match 216) | |
| L432 | Cameo circled capitals | Roman (689 design) | |
| L433 | Open characters | Roman (match 693) | |
| M | Gothic | Roman | 38 |