& | [ ] | ae | oe | ' | j | e | thin | ( ) | ? | ! | ; | fl | ||
b | c | d | i | s | f | g | ff | |||||||
fi | ||||||||||||||
ffi | l | m | n | h | o | y | p | , | w | en | em | |||
ffl | ||||||||||||||
z | v | u | t | space | a | r | q | : | quads | |||||
x | . | - |
This English lay is that of Savage: Dictionary of the Art of Printing (1841, reprinted Thoemmes 1998), as being the present (ie 1841) arrangement of the types. The long s has been discarded, so the f box is enlarged, and the long s ligature boxes become empty. Johnson: Typographia (1824) has a very similar New Lower lay, but with mids in place of thins, and thins and hairs in some of the empty boxes. Tomlinson: Cyclopaedia of Useful Arts (1853) is the same as Savage, but with the boxes next to fl ff fi containg a 3 piece brace. There is a very similar Bookwork Lower lay, given by Southward: Practical Printing (1882), with thins in the same box as Savage, but with -- & and hair as Johnson, and ... added between ; and fl. Note the position of q in all these lays, and that the letter k is still stored in the Upper case.
The companion upper is the Savage New lay and the empty case configuration is the English Lower.
Other empty cases ie with the boxes left blank | Other type layouts ie with characters assigned to boxes | ||
Full Index of layouts | Glossary of terms used | Sources of the layouts | Introduction |
Quantities in a fount of type | Quantities in a case of type | ||
Notes about Job and Double Cases | Notes about Upper cases | Notes about Lower cases | Alembic home page |